https://www.soundtracknewyork.com/home daily 1.0 2026-10-11 https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/b69801db-5630-448e-9e53-ca2b7ee937c6/soundtrack+logo+proper+white.png https://www.soundtracknewyork.com/mixing daily 0.75 2026-10-16 https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/af0cd194-213f-42e4-9f45-5f81b20b769c/soundtrack+logo+proper+cyan+smaller.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/ac174a62-7f52-428c-93eb-d77deaaf1b72/stage+B+reshoot+with+screen.png MIXING Tom Fleischman’s regular studio and our largest re-recording stage, equipped for theatrical as well as home Atmos mixing. Dual operator Avid S6 console with space for on-stage editors. Private office and dedicated client lounge space. Specs Dolby Approved Theatrical and Home Atmos / 7.1 / 5.1 Stage — 32’ x 26’ (832 sq ft) Screen — 7’ x 16’ Console — Avid S6 (Dual operator) Pro Tools HD (4 playback systems, 1 stem recorder) Separate Client Lounge ClearView Flex, Streambox, Source-Connect https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/cd8ff32f-ca1d-4e39-ac37-daf205220d03/stage+K+with+screen.png MIXING You’ll find Dan Brennan mixing here often. Dual operator Avid S6 console with space for multiple on-stage editors. K is a great room for your feature film mix or intensive episodic work. Private adjoining lounge. SPECS Dolby Approved Theatrical and Home Atmos / 7.1 / 5.1 Stage — 23’8” x 36’11” (828 sq ft) Screen — 8.5’ x 18’ Console — Avid S6 (Dual Operator) Pro Tools HD (4 pb systems, 1 stem recorder) Separate Client Lounge ClearView Flex, Streambox, Source-Connect https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/d6e9f33d-f8a1-4604-be6d-a7cee9476e16/stage+A+with+screen.png MIXING A is equipped for theatrical as well as home Atmos mixing. Dual operator Avid S6 console with accommodation for on-stage editors. Dedicated client lounge space. SPECS Dolby Approved Theatrical and Home Atmos/ 7.1 / 5.1 Stage — 31’ x 20’ (620 sq ft) Screen — 13’ x 7’ Console — Avid S6 (Dual Operator) Pro Tools HD (4 pb systems, 1 stem recorder) Separate Client Lounge ClearView Flex, Streambox, Source-Connect https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/aa378f90-326a-4d96-8636-fd50e4a262fa/studio+F+reshoot+with+screen.png MIXING Smaller in square footage but not in sound, Avid S4 and Meyer sound system. Adjoining live room / vocal booth. Specs Dolby Approved Home Atmos / 7.1 / 5.1 Sound: Meyer Speaker System Stage — 24.5’ x 22.5’ Screen — 80” x 140” Console — Avid S4 Pro Tools HD Separate Client Lounge Live Room — 9’ x 12’ ClearView Flex, Streambox, Source-Connect https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/90c76472-c9cc-42e8-bf6c-bdcc6a6af79e/studio+G+reshoot+with+screen.png MIXING Paul Hsu’s regular studio, Avid S4 and Meyer sound system. Adjoining private lounge. Specs Dolby Approved Home Atmos / 7.1 / 5.1 Sound: Meyer Speaker System Stage — 20.5’ x 20.5’ Screen — 80” x 140” Console — Avid S4 Pro Tools HD Separate Client Lounge ClearView Flex, Streambox, Source-Connect https://www.soundtracknewyork.com/c5sound daily 0.75 2026-10-15 https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/1791699137466-T9ZYFFEIUA8P3KXQHD9W/WEBSITEc5.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/497096ba-7847-4218-8593-6b1fcbbd038a/soundtrack+logo+proper+white+smaller.png https://www.soundtracknewyork.com/foley daily 0.75 2026-10-15 https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/206e15ab-2655-43e0-9fc8-cca75979addd/team+foley+reshoot+screen.png FOLEY - FOLEY …led by George Lara, one of the world's premier Foley Mixers, with over 400 titles under his belt, along with Alex Wang and Bella So, working at Stage C at our 22nd street location. Our foley department has an exhaustive supply of specialty props and surfaces as well as vast experience across action movies, blockbuster titles, long-running episodic, and independent film projects. https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/119ddfa2-57e2-4b81-81ae-ecc40f09de06/foley+studio+C+reshoot+B+screen.png FOLEY https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/0b0fc678-d834-4230-80a4-696ded1e1762/foley+studio+C+reshoot+A.png FOLEY https://www.soundtracknewyork.com/adr daily 0.75 2026-10-15 https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/f6a64be6-2263-4225-95c3-50889e211a28/J+1+cleaner.png ADR . ANIMATION ADR - STAGE J https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/58601d64-851f-49b0-b0ac-811f2a266676/J+4.png ADR . ANIMATION ADR - STAGE J https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/a26f0f27-cb8b-4ccb-96cd-1ffd24df6da8/J3+screen.png ADR . ANIMATION ADR - STAGE J https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/dcb054e7-a7c8-4d93-822a-8e97ea41430d/J5+screen.png ADR . ANIMATION ADR - STAGE J https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/af0cd194-213f-42e4-9f45-5f81b20b769c/soundtrack+logo+proper+cyan+smaller.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/87e93f6e-efdb-412b-ba86-0fbb0820f975/Johanson+reshoot.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/36543202-445e-454b-9e9c-23636e237aef/Higley+reshoot2.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/7c4846bc-c89e-4b85-8437-12a9f0fbd60c/Toffler+Maya+reshot+2.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/8a761051-f141-4a5b-be78-299caea633a3/Cannizarro+reshoot.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/5801149d-6a42-489b-9cfc-15c0c355ce5e/Kelman++reshoot.png https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/9b63ceb6-b34a-4321-abbb-902382016182/stage+H+reshoot.png ADR . ANIMATION ADR.Stage H Home to Bill Higley, you'll either find him recording ADR for his clients in Los Angeles or setting up for the next day's animation record. The available large control room, live room, and separate client lounge allow plenty of room for even the most crowded of recording sessions. Specs Control Room – 18’6” x 19’6” Live Room – 16’8” x 10’6” Console – Avid S6 Lounge – 13′ x 9′ https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/6c0a239b-ce6f-4fad-a04a-fbc6a86dc09e/stage+I+reshoot.png ADR . ANIMATION - ADR.Stage I Scott Cannizzaro’s studio for the past 30 years, you'll find his space equipped to handle any type of session that comes along. From Voiceover to ADR to film mixes, you'll be right at home in Studio I. Specs Control Room – 20’5” x 15’7” Live Room – 11’1” x 12’ Console – Yamaha DM2000 Lounge – 23′ x 10′ https://images.squarespace-cdn.com/content/v1/6acb28a458e7075c51567741/0429aa98-45bd-4d47-bbaf-9013f4afa7ad/stage+E+reshoot.png ADR . ANIMATION - ADR.Stage E Maya Toffler’s regular stage. Stage E can comfortably hold your talent, ADR editor, and director, it’s a great space to work and excellent for small to medium sized loop groups. Specs Stage – 21’6” x 22’ Control Room – 15’11” x 8’6” Screen – 60″ LED Console – Yamaha DM2000 https://www.soundtracknewyork.com/new-page daily 0.75 2026-10-16