Our mixers.
Tom has 44 years of industry experience, 38 nominations and 17 wins. Just a few of his credits as a Re-Recording Mixer include: Hugo, Silence of the Lambs, Gangs of New York, Free Solo, Fahrenheit 451, The Aviator, Boardwalk Empire, and The Irishman.
Dan Brennan
Re-Recording & ADR Mixer
With 2 Emmy nominations and over 15 years of experience working in audio post-production in New York City, Dan has filled many roles on various projects including sound supervisor, re-recording mixer, dialogue editor, sound designer, and foley editor. His credits encompass popular projects such as Dr. Death, Genius: Aretha, Righteous Gemstones, Sorry to Bother You, Dragged Across Concrete, and Brawl in Cell Block 99.
Mark Desimone
Re-Recording & ADR Mixer
Mark has 42 years of experience, 2 Emmy Nominations, 9 CAS nominations and one Emmy win. Mark has been the Re-Recording Mixer for notable projects such as Toe Tag Parole, Children in War, Lance Loud! A Death in an American Family, Muskrat Lovely, and Art Bastard.
Hunter Berk
Re-Recording, ADR Mixer & Sound Editor
With 10 years of experience in the sound industry and 8 years working with Soundtrack New York, Hunter has been a part of some amazing projects. He’s recorded ADR for large features such as West Side Story, Wonder Woman 1984, and the Hawkeye TV series. He was the dialogue editor for And Just Like That and Girls5Eva, as well as the re-recording mixer for Shiva Baby.
Scott Cannizzaro
Re-Recording & ADR Mixer
Scott has 35 years of experience in the sound industry and 31 years working with Soundtrack New York. Scott has been the ADR Mixer for notable projects such as The Mandalorian, Birdman, Guardians of the Galaxy, Stranger Things, and 13 years of Law and Order SVU.